You may know that name already. Owen has a solo project called Final Fantasy, and and a
CD titled
Has A Good Home. He has toured with Arcade Fire, doing their string arrangements for the album as well. He also toured with Stuart McLean of
CBC's
The Vinyl Cafe and his day job is as the show's music director.
When the
Vinyl Cafe performed in Kelowna, I met Owen backstage. I told him his minimalist looping strings remind me of Philip Glass. Owen performs using a violin, a loop board, and his angelic voice. He lays down a loop on his violin, hits the board, then layers another loop on top of that, hits the board, then plays live melody and sings. The music is wistful and hypnotic. I have no idea how to classify it; which genre do I pigeonhole it into on
my iPod?
Owen has been appearing frequently on the
CBC, whether it's on Jian Ghomeshi's pointless
National Playlist, on
Go playing live and improvising a song about meeting Mother Theresa (a story which itself was improvised by a comedian), on
DNTO, on
Radio3, the list goes on. Owen seems ubiquitous in my household, where the
CBC plays virtually continuously.
Take a listen to a sample
here, and decide whether you think he deserves all the attention.
I do.
James K Galbraith wrote this interesting column at MoJo.com about how the modern age curtails the effective projection of colonial power. People are still the same. On (re)reading Machiavelli's The Prince, you will be startled by how much of his commentary and advice will ring true in completely different contexts five centuries later: office politics, family relationships, non-profit organizations--the struggle for power and influence is ever-present, and the means to consolidate it effectively in many ways remain unchanged.
You may know that name already. Owen has a solo project called Final Fantasy, and and a CD titled Has A Good Home. He has toured with Arcade Fire, doing their string arrangements for the album as well. He also toured with Stuart McLean of CBC's The Vinyl Cafe and his day job is as the show's music director.
Owen has been appearing frequently on the CBC, whether it's on Jian Ghomeshi's pointless National Playlist, on Go playing live and improvising a song about meeting Mother Theresa (a story which itself was improvised by a comedian), on DNTO, on Radio3, the list goes on. Owen seems ubiquitous in my household, where the CBC plays virtually continuously.
